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The Complete Study: Metals (Online Course)

Instructor(s):

Saturdays, 12 PM – 2 PM ET – please adjust for your timezones
March 21, 28, (no class April 4), April 11, 18, (no class April 25), May 2, 9, 16, (no class May 23), May 30, 2026

Plus over 12 hours of recorded demos. Each week’s corresponding demo is provided a week before each live class session.

There is a homework assignment due the first class.

8 weeks– Tuition $515

Limit: 10 students per section

Take this class:

  • to immerse yourself in the phenomenon of form and light as it pertains to the study of metallic objects. 
  • to practice the method of painting any object or collection of objects form by form using the methods of painting at GCA.
  • to learn helpful painting techniques like palette organization and color decision making.

Is this class for me?

  • Some oil painting experience is recommended.
  • Taking GCA’s Painting Orientation Seminar is helpful if you are new to GCA.
  • Some drawing experience, especially in the Academic method, is always useful for painting classes at the GCA.

How often is this class offered?

  • This class is offered once or twice a year.

Class Format Notes:

  • 2 hours of pre-recorded demos distributed weekly. The first demo is distributed the week before the first live class. Homework is due on the first class.
  • 2 hour live critiques class.
  • Students work on their weekly assignment outside of class time.
  • The class will be conducted on the Zoom platform and is a live online experience.
  • The pre-recorded demos will be shared via a private video link on YouTube. YouTube is free but will require an account to view the video.
  • This class also uses Google Classroom to distribute materials. Watch this video for more insight.  All of these services are free but require registration.
  • It will be necessary for students to have access to a computer, tablet or smartphone. The recommended device is a laptop or desktop.
  • Every online class is recorded.
  • Critiques are only given during the live class time.
  • Attendance at every live class isn’t mandatory.
  • Absentee students can still submit their work at least 15 minutes before the live class starts and the instructor will critique the work during the class. The critique will then be viewable in the recording.
  • Students receive access to the class recording within 24 hours of the class finishing. The recording gets posted into the google classroom.
  • Access to the recordings is available for the duration of the class plus an additional 30 days. There are no extensions.

Course Description

The Complete Study: Metals will refine artists’ technical oil painting skills with a focus on painting a completely finished metal object. This class will cover the basics of painting different types of metal and capturing their unique surface qualities. Employing the traditional GCA method of working from a block-in, through a color study and onto a form by form rendering, this class will thoroughly explain a step-by-step process that can be employed towards any subject matter. 

Throughout the class, Tori will share masterwork examples inviting questions and casual conversation with participants. Students turn in their assignments for weekly individual in-class critiques, which include detailed feedback and digital paint-overs in Procreate to show ways to improve in real time.

Week 1 – Getting Started and choosing your metal object

  • Discussion about the types of metals, the pros and cons of each
  • Your set-up
  • Compositional thumbnail drawings to capture the value arrangement of your set up

Week 2 – Color Studies from Life

  • Discussion of color
  • How to capture the characteristics of your chosen metal object/s  in a small scale color study

Week 3 – Block-in Drawing

  • How to block-in and measure 

Week 4 – Transfer & Underpainting

  • Discussion of different types of underpaintings
  • How to transfer your drawing 
  • How to do a grisaille underpainting 

Weeks 5 Final Pass I

  • How and where to start on your painting
  • Form discussion 

Week 6 – Final Pass II

  1. Discussion of how to emulate distinct metal properties with paint
  2. Looking at examples

Week 7 – Final Pass III

  • How to tackle reflective, burnished/tarnished qualities commonly seen on metals 

Week 8 – Final Pass IV

  • Finishing details
  • How to use impastos to strengthen bright reflective highlights 
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