Block-in Basics (Online Course)
Jon Brogie
Thursdays 11 AM – 3 PM ET – please adjust for your time zone
April 11, 18, 25, May 2, 9, 16, 23. 30, 2024
8 weeks – Tuition: $475
Limit: 10 students
Take this class:
- To begin or further your understanding of GCA’s block-in technique using the comparative method.
- To learn techniques for achieving accuracy in drawing working with a variety of simple and complex forms.
- To deepen your understanding of perspective.
- To learn how to control the relative scale of objects.
Is this class for me?
- Draftsmen of all levels are welcome, as well as painters looking to hone their drawing practice.
- Some familiarity with GCA’s methodology is helpful.
Class format notes:
- The class includes, critiques, demo with Q&A, and a work-in-class section with ongoing critiques.
- It’s highly recommended that students attend live to gain the benefit of the dialogue with the instructor about their work.
- Students can choose to observe any demos live, work alongside, and/or rewatch the recording the next day.
Online tech needs:
- The class will be conducted on the Zoom platform and is a live online experience.
- Each class is recorded and made available so students can review demos and critiques after each live session for the entirety of the class.
- This class also uses Google Classroom to distribute materials. Watch this video for more insight.
- Both of these services are free but require registration.
- It will be necessary for students to have access to a computer, tablet or smartphone. The recommended device is a laptop or desktop.
Course Description
In this class artists will strengthen their drawing skills through weekly block-in study using objects conventionally depicted in still-life painting. By leveraging a variety of conceptual tools and techniques they will develop an approach to drawing that can be successfully applied to any subject matter. The class will progress from basic concepts that are fundamental to achieving accuracy in drawing, to strategies for tackling and practicing more complex forms. Students are encouraged to work with everyday objects from their collection. Draftsmen of all levels are welcome, as well as painters looking to hone their drawing practice. Artists with more experience can choose to build a still-life composition around the chosen object/theme.
Outline:
Week 1 – Introduction, The “Toolbox”
Week 2 – Hierarchy and Multiples
Week 3 – Cuboids and Perspective Basics
Week 4 – Manmade Cylinders and Ellipses
Week 5 – Light and Shadow Shapes
Week 6 – Advanced Forms and Abstraction
Week 7 – Contours
Week 8 – Solecisms in Composition