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| Zoey Frank |
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| Shihwen Wu |
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| Joseph Loomis |
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| Joseph Loomis |
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| Christina Mastrangelo |
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| Christina Mastrangelo Work in Progress |
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| Abigail Tulis |
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| Abigail Tulis |
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| Brian MacNeil |
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| Brian Macneil Work in Progress |
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| Sarah Bird |
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| Thomas Kegler |
Last night, Thomas Kegler gave his workshop students and the fellows a glazing demo. He used a study he completed during his workshop, taping it across the middle to illustrate the difference glazing can make in a painting.
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Tom is about to begin the demo – he will be using Oleogel and
several different warm reds, browns, oranges and purples
to glaze over the entire surface first. |
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A warm glaze has been brushed over the entire surface.
Some of the glaze has been wiped off of the sky to cool it down a touch. |
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Thomas enriches the darks with Van Dyke Brown
and pulls out some of the cooler greens underneath the glaze in the trees
using a rubber shaper brush. |
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The finished demo showing the differences
between the field study on the right and
the effect of glazing on top to the left. |
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| The glazing palette |
