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Botanical Bas Relief en Plein Air

Instructor(s):

June 28 – 29, 2024 (Friday & Saturday, 9am – 4pm)

Location: hosted by Falls Village Flower Farm

Schedule: 9am – 12pm workshop; 12-1pm lunch; 1 – 4pm workshop
Limit: 8 students
Tuition: $450 ($225 deposit upon enrollment) Includes, clay, board and flowers.
Tuition balance is due by June 1, 2024.

In the event of rain, we will contact the students with an update, but we may still paint on location from a sheltered/covered spot. If the rain/storm is too extreme, we may delay the start time or decide to sculpt indoors at a location TBD to sculpt from our plein-air sketches or from master copies.

Course Description

Description:

In this two-day plein-air sculpture workshop, students will learn how to sculpt directly from nature in bas-relief.

In this course, artists will work outdoors to select their subject materials, which may range from individual botanicals such as florals, branches, and leaves, to multi-plant arrangements and landscape composition.

Working beside their selection, students will learn how to sculpt in low-relief by sketching their subject directly onto clay and building outward three-dimensionally in an alla-prima, intuitive style.

Instruction will include how to compose your subject matter within a defined space, organize depths according to an internal establishment of volumes and perspective, and utilize different textures and patterns to convey nature’s diverse forms. Students will learn how to edit nature’s infinite details into its most essential and striking components and capture the transitory nature of live botanicals. Consideration for artistic composition, surface texture and depth will be discussed. Demos on how to block-in a bas-relief, draw directly into clay and develop form will take place. Discussion will include the function of bas-relief as botanical study and as artistic three-dimensional records of the natural world.

Clay and wooden boards will be provided. Students will work outdoors, weather permitting.

Course Outline:

Day One:

Setting up your Bas-Relief

  • How to construct a clay base for bas-relief
  • Selecting your subject matter
  • Clay as canvas: drawing directly onto the surface plane
  • How to organize and establish depths

Day Two:

  • Refinement of forms
  • Essentializing nature’s multiplicities
  • How to describe visual and color differences through texture and composition
  • Addressing the challenges of working from life’s transitory stages
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